What kind of a poly-mistress would I be if I didn’t allow my polyhedra to leave with somewhat of a bang? Naturally there was lots of play involved in packing my beloved ‘stars’, but lots of sweat too!
I want to thank my new friend and sister-in-arms Azza for helping me out this morning. Read More
Months of work came to fruition last Wednesday with the opening of my latest show Until at the Contemporary Art Platform. It was a crazy night, a reunion of sorts. And what better way to share the event with those who couldn’t make it than with pictures. This first batch was taken by my very dear friend Reem Algharabali. Read More
A few weeks ago I introduced everyone to FolkyFlo Eve. And now it’s time to introduce you to the Little Eves. The idea of a smaller Eve arose when I felt the original Eve was a little too cumbersome and conspicuous for me to carry around. So I kept her with friends (she had a great time, but I’ll leave this for later posts) while Laura and I concentrated on creating a smaller Eve that was more portable. A side note: when I told my friend Reem Algharabali about this mini version of Eve, she suggested that Laura add a hole at the bottom of her torso (there’s no way to explain this without it sounding sexual, sorry) for inserting a stick. This is so Reem could take her to festivals and raise her above the crowds: Festival Eve. But only Reem will call her that. Read More
I finished this painting around ten days ago, and instead of photographing myself with it as I usually do with my finished paintings, I wanted to share that fun with a few of the special women in my life. Thanks to my sister Yasmine for thinking about asking her colleague photographer Thilo Mayer to take the pictures, which he so generously did. It was so spontaneous, and what was going to be an afternoon of fun with my girlfriends turned into an afternoon of fun with my girlfriends and Thilo! Oh, and Eve, who is currently staying with Fatma Bodoma, but I’ll leave that for another post. Read More
I started this painting in late July, and until I finished it two days ago, it had been driving me mad. For the longest time I kept denying that the painting felt wrong, that I even hated it. I put it away for weeks, in avoidance and resentment for the subjects it portrayed. It’s the worst feeling ever, painting-wise. When I brought it back out and looked at it hard and strong-and admitted that some of the faces had to go-I got both a feeling of relief and an overwhelming sense that there was a lot of work to be done. And so many problems to solve. I worked so long on this painting that not only did I pose once with it for Instagram, not twice, but four times! We did end things on good terms and all is fantastic in the world again. Read More
I have been following Laura Bevan on Instagram for a while now. As I do with many artist friends I’ve ‘met’ on Instagram, I like a lot of her posts/artwork. But it’s her dolls I fell in love with. Because I’m always up for a collaboration, I asked her if she would create an Eve for me, in a larger size. She agreed and a few weeks later I am now united with my FolkyFlo Eve. And because I happen to be in London, I picked her up personally from Laura, who I feel like I’ve known all my life. Read More