PrettyGreenBullet


a visit to deema al-ghunaim’s studio
December 18, 2011, 11:43 am
Filed under: My Friends & Me, Other People's Studios | Tags: ,

this is the cavernous arabana hall. i can just see this place bursting with artistic life and vision within the next year

Last night I paid a visit to my friend architect/photographer/designer (I can go on) Deema Al-Ghunaim’s studio space she’s rented at the Arabana warehouse in Shuwaikh. The space is still in its embryonic stages but to know this little gem exists amid the hustle and bustle of industrial Shuwaikh is soothing to the heart and mind. I’m very excited to share these photos with you. Thanks, Deema, for the invitation! (more…)



New Painting|Six Eves Play Hide-and-Go-Seek

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I started this painting yesterday morning. I decided to make it a landscape format rather than portrait because the canvas is too tall for my easel. That was the easy step. I then thought: hmm, why don’t I actually paint a landscape. The only time I’d ever painted a landscape from life was in Madrid, eons ago. And I must say that the only landscape surrounding me at the moment is my living room/studio, and the buildings outside. So I figured I’d just have to go with my memory and some imagination. Then this morning, by sheer coincidence and luck, an FB friend of mine, Tim Pieraccini, sent me a video he’d filmed, an interview with Sussex artist Katie Sollohub. The interview was conducted by Robert Cohen.

I had a bit of a eureka moment when I saw one of her landscapes, which was so whimsical, carefree and uninhibited by physics and fact. Immediately I wanted to rush to my own painting (I eventually got to it after sorting my place, picking up a friend, going out for a hearty breakfast, a trip to The Sultan Center, and an episode of The Weakest Link; hey, it is Friday!). Inhibition is a bit of a pesky fly you have to shake off constantly. And this time, it took Katie Sollohub’s painting to help swat it away. (more…)



A Little House in Hamra

this is so inspiring to me. i love the details of how an artist works. i look at everything: the picture peeping behind the sketch clipped onto the easel, the masking tape left over from her last painting, the drippings on the wall, and the painting itself, incomplete yet ethereally beautiful

A few days ago, I visited the Beirut-based artist Tamara Al-Samerraei in her studio, which she shares with artist Najah Taher. It’s situated in a culture-rich area of Hamra off the Beiruti high street. When I got there, I heard live music playing in a nearby street and  Olivia Newton-John’s Let’s Get Physical blaring from the insides of a tall building. Tamara’s place, however, felt like an oasis in the hodge-podge bustle around me. The Ottoman-era building which houses the two artists’ studios/office would have seemed out of place on this street if it weren’t for the trees around it serving as a gentle buffer between new and old, modern and beautiful.

As soon as I walked in, I devoured the place with my camera. Cross the bridge for more photos of Tamara and Najah’s little eden.

(more…)




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